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August 2003 Archives

August 1, 2003

Tuxedo Gin, V.1

Tuxedo Gin, Volume 1
by Tokihiko Matsuura
Viz, b&w 190 pages, $9.99
Rating: Neat-O

Tuxedo Gin is a new entry in the supernaturally star-crossed romantic comedy genre. Well, maybe that's not a genre, but it should be. Ginji Kusanagi is a young man who gets in a motorcycle accident on the eve of his first date, and is given the chance to be reincarnated as a penguin: because his death was untimely if he manages to live out his natural span as a penguin, he will be restored to his original body. He is reborn in a Tokyo aquarium, and six months later finds himself the pet of Minako Sasebo, the girl he wanted to date, and who has been pining for him since then. Wacky hijinks ensue.
TG is an uneasy mix of romantic comedy and action/drama. Ginji's "death", you see, was engineered by an evil gang-member as revenge against Ginji, an up-and-coming high-school boxer, and Ginji's buddy Musashi Kondo interfering with the gang's planned rampage at their high school, and so forth. On the one hand, the melodrama is a bit much, on the other hand it gives TG a texture that pure romantic comedies lack; it's actually a bit more like genuine romances in having a villain, and having obstacles to the boy and girl getting together that aren't just shyness and people coincidentally walking in on them.
The art is a bit like Yuyu Hakushou (Poltergeist Report): relatively realistic characters and settings, less special effects and unusual layouts than typical shojou, but in the middle of it this very cartoony penguin. It works for me.



One Piece: Romance Dawn V.1

One Piece: Romance Dawn Vol. 1
by Eiichiro Oda
Viz, b&w, 207 pages, $7.95
Rating: Gosh-a-rooty!

One Piece is my favorite of the new-to-me stories from the American version of Shonen Jump (everything except Dragonball Z and YuYu Hakusho), probably 'cause pirates are way better than ninjas. Ha! One Piece is the adventures of Monkey D. Luffy, a boy who wants to be a pirate. His qualifications: an indomitable spirit, and the ability to stretch (a la Mr. Fantastic) accidentally acquired from eating the fruit of the mysterious GumGum tree. It's not actually clear that Luffy understands what it is that pirates do, and during the course of his adventures he ends up fighting just as many pirates as cruel pirate hunters...
One Piece is goofy comedy all the way, in a style that is to mainstream manga what "Big Foot" is to American cartooning. In some panels, everybody seems to be made of rubber, not just Luffy. It's very loose and cartoony, without going for the "super-deformed" 3-heads high look; Rave Master by Hiro Mashima has a very similar style.

Lots of fun, and even touching at times.



August 4, 2003

Shojou Night

Sunday night is usually gaming night (see BlogRiPinG), but all of the regulars except Rachel bailed, so Rachel and her sister and I watched shojou anime instead. Rachel's sister had never seen any anime before so some of the conventions needed explaining, but she seemed to enjoy it. Rachel likes shojou stuff, but most of the time if we watch anime we have to take her husband's (and the rest of the group's) sensibilities into account so it's usually something like Trigun, Ranma 1/2 or even (once) GTO (Scott liked that).

We ended up watching the first four episodes of Fruits Basket, all of the first disc of Risky Safety, and the first episode of I'm Gonna Be An Angel. I'd say that Fruits Basket was the biggest hit, and that we all agreed that Risky Safety (which I hadn't seen before, either) was kind of interesting but a bit too young to really compell us to watch more. I'm not sure how I'm Gonna Be An Angel went over--there was a fair amount of laughter, but it really is so odd that you almost have to laugh, without it really meaning that you like it. I happen to think it's a hoot, but I'm perfectly prepared to believe that it's too strange to appeal to everyone. The dances for all occasions really send me, though.

Fruits Basket is, I think, a relative rarity, in that its genre is "magical boyfriend." That is to say, the set-up is the same as the relatively common "magical girlfriend" (like, say, Tenchi Muyou), but with the sexes reversed: one normal girl with a bunch of male supernatural/alien/extra-dimensional potential suitors. In this case the girl, whose mother has recently died, and who is secretly living in a tent while going to the local high school falls in with the mysterious family on whose land she's living, and discovers their secret: each of them is possessed by the spirit of one of the animals of the Chinese Zodiac, and involuntarily transforms if embraced by a normal member of the opposite sex. I suspect you can see where this is going. The animation relies heavily on stylization and anime tropes (character design styles changing at the drop of a hat to mirror the emotional content, patterned background straight out of shojou manga, even some CGI smoke clouds when the characters transform). This one took a fair amount of explaining for the anime newbie.



I'm Gonna Be an Angel is strange, strange, strange, but in a really cheerful, candy-colored way. On the way to school, ordinary boy Yuusuke comes across a naked girl with a halo, he falls and accidentally kisses her, and she awakens and calls him her husband. He flees in panic, but then she shows up at his school (fully clad) as a transfer student. When he heads home to where he's living alone while his parents are abroad on business, he finds the house has been replaced by this astonishing pastel edifice out of Willy Wonka's fever dream by way of PeeWee's Playhouse. There, waiting to great him, are his new "bride" and her family of monsters: Dad is Frankenstein's Monster/Herman Munster, Mom is an elf, Big Brother is a vampire, Little Sister is I-don't-know-what, Big Sister is the Invisible Woman, and Granny is (what else could she be?) a Witch with a scruffy vulture familiar that looks just like her. They perform a musical number (!) to celebrate their moving in with their new son-in-law. And it gets weirder from there. The animation is stylized, and silly, full of bright Candy Land colors and designs; it's really something else.



Risky Safety is the story of an apprentice Shinigami (spirit of death) named Risky, and an apprentice angel named Safety who schizophrenically inhabit the same body; bad thoughts an impending disaster call forth Risky, who want to collect enough souls to graduate to full-fledged Shinigami; good thoughts bring out Safety, who seeks to thwart Risky and earn her own promotion. Moe (Mo-eh) is the young girl (middle school-age, maybe?) who becomes their battle-ground and keeper, more or less. The episodes are short, ten minutes each, and reasonably cute, but not really compelling if you're not in the target age group.

August 5, 2003

Angel Moxie

Angel Moxie
webcomic by Dan Hess (and if you thought his name was at all easy to find on his website, you thought wrong)
Rating: Keen

A semi-parodic take on magical girls, manga-influenced (naturally) without being slavish about it. There are 242 strips up; I'm up to number 31, so I have a ways to go but I'm enjoying it so far. It's a four-panel comic that switched from four-in-a-row to four-in-a-box at strip 167; the art is sort of a cross between super-deformed manga and American newspaper--big round heads, skinny skinny bodies, about three-and-a-half heads tall but usually only shown from just below the waist up, with sparse backgrounds and odd square word-balloons that at first had me thinking that everyone was a robot.
Check it out.

August 12, 2003

Carpet Bombed by TokyoPop

It seems like every month TokyoPop releases almost all their new material in a single week, and I just can't keep up with the reading, let alone reviewing. This past week I picked up:

GTO 13
Chobits 7
Escaflowne 1
Petshop of Horrors 1 (actually, it was 2 that was released, but I hadn't read 1 yet)
Forbidden Dance 1
I.N.V.U. 3
Mars 13
Cardcaptor Sakura: Master of the Clow 6
King of Bandits Jing 2
The Kindaichi Case Files: The Mummy's Curse
Clamp School Detectives 3
Marmalade Boy 8
Brigadoon 1
Samurai Deeper Kyo 2
Rave Master 4

and then there was
Slayers Special: Lesser of Two Evils, which came out from CPM

I've already started to cut back on what I buy... of course, the fact that there's simply too much out there to buy it all, even all the interesting stuff, makes the market for manga much more like the market for books--or the market for manga in Japan so over all it's a good thing, even if it does leave me a little dizzy. I'm still going to try to do at least a capsule review of each of these, but it's going to have to wait until I have a little more free time, I hope this weekend. Maybe I'll even put my Friday off to good use.

August 14, 2003

Jesus, Castillo! Get a better lawyer

I'm disappointed with the outcome of the Jesus Castillo case, particularly seeing as how I chipped in fifty bucks to his defense, but BeldarBlog's analysis of the case and the reaction to it seems on the money to me. Failure to raise an objection to preserve it for appellate review is one of those bonehead mistakes that I clearly remember my ex's law school profs warning against, and I definitely think you ought to expect more of a lawyer who manages to rack up $60,000 in fees defending a misdemeanor case that netted a $4,000 fine and 180 day suspended sentence.

August 19, 2003

Current Listening

Both these albums are beautiful, and cheap.

Astrud Gilberto performs the canonical version of The Girl From Ipanema (accompanied by her husband Joao Gilberto and Stan Getz), and it's easily worth it just for that, but there are another fifteen tracks, most of them achingly beautiful. Aching is probably the apropos word; Astrud is (according to the liner notes) "the mistress of that uniquely Brazilian mood Saudade" (longing)



A brilliant collection of Ella Fitzgerald tracks, accompanied by various killer orchestras; the outstanding track here is her rendition of Mack the Knife live in Berlin, where she forgets the words after two verses and just starts riffing. If this doesn't bring a smile to your face, you should check your pulse: you're probably already dead.

August 28, 2003

Manga Mania

I mostly agree with Attentiondeficitdisorderly Too Flat about manga in the American market; sure, I have a couple of quibbles (for one thing, I think that the "unflipped" format was a gamble that Tokyo Pop took based on cost, not to enhance its coolness) but on the whole I agree with Sean Collins's prescriptions for American publishers except for this:

1) Stop writing continuity-heavy or continuity-dependent stories that require a familiarity with the characters unattainable to the casual reader

Most of the really successful manga, both in Japan and in the US is completely continuity driven; the stories may move in arcs, but the series as a whole is one long story with a beginning, middle, and end. Even Dragonball Z and Ranma 1/2, which are much more episodic than usual, do actually wrap things up (more or less) at the end. The others that have gained serious traction among the new readers, particularly the currently top-of-the-heap Chobits and Love Hina, are determinedly serial. The two real differences that I can discern between them and American "mainstream" continuity-driven comics is that a) the paperback format encourages stores to keep them all available back to the beginning, and b) the continuity is strictly within a particular series, no cross-overs with other titles; cameos, yes, and as with many generalizations about manga, CLAMP is an exception with its CLAMP School Universe (although even there, the story doesn't jump from book to book--reading the other books in the setting just lets you know more about certain characters's back-story). Of the two, I'd guess that a) is far more important. You can jump on any time, not because the story works in complete recaps every few chapters, or gets rebooted, but because you can just buy #1 any place that you can buy the most recent.

Ach du liebste bisschen!

In trying to figure out whether anyone has ever linked to this page (the answer seems to be no :( ), I stumbled across this German page, which references the article Desirable Qualities for a Generic Roleplaying System that I once posted to rec.games.frp.advocacy. The Google translation is here:

Translated version of http://www.die-kur.de/archiv/kur_ar0009.html

About August 2003

This page contains all entries posted to Amused in Review in August 2003. They are listed from oldest to newest.

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